Monday, December 30, 2019


About half a lifetime ago, in addition to being a freelance illustrator, I "daylighted" as an art director for a couple of ad agencies and one TV station (Assistant A/D there, to be precise. I was right out of college.). As such, I often wore many hats. Among other things, I did layouts ("marker comps" in those days), art directed photo-shoots, sometimes did the photography myself, did type specs and paste-up (in the pre-digital days of galleys, Xacto-knives and rubber cement), was a sound engineer and occasional voice actor for radio spots and audio-visual productions, provided in-house illustrations, and once in a while designed logos for a host of clients. All that lasted about 10 years, and then I went strictly freelance and have remained as such ever since. The bulk of my work has consisted of illustrations in the ensuing decades, but there has occasionally been some graphic design to be done. See here for some examples of characters, cover design and logos for Nestle Corporation. I've also created several logos for my own projects such as The Nowhere-Men™, and these comic covers for Joe Comet™, and Hour Father™.

So, when nearly a decade ago, Comicopia, the local comic book store where I had shopped since it opened up (now over 30 years ago!), sponsored a contest for a new logo design for their store, I decided I was uniquely qualified to give it a go. My entry is posted above. I took a very ad agency approach to the project. The design is deceptively complex. The letter forms are all reminiscent of various comic book logos, some, like the two "C's," have roots in Artie Simek's Marvel Comics logos such as "Thor" and "The Fantastic Four." The "I" recalls horror comics of the 1950's. Others are more in the style of funny animal comics. The panels behind the lettering separate each syllable as each depicts a specific genre of comics, to wit: Humor, Superhero, Mystery, Science Fiction, and Manga. Comicopia specializes in Manga, so that was essential to the mix. I did my research and synthesized a couple of characters in a typical Manga style. You can see echoes (but not strict copies) of Disney, Archie, and even R Crumb in Panel 1. I downplayed the superheroes a bit, only showing a fist, a cape and a boot in Panel 2. The others are pretty much all from my imagination, though that fedora-sporting fellow might be related to The Phantom Stranger, The Spirit, The Shadow, or even Steve Ditko's The Mysterious Traveler!  And for the record, the lettering (and the rest of the line art) was all done the old-fashioned way, by hand with pens on paper.

Well, long story short, I was the front runner until the last day of the contest when a quirky little treatment caught the eyes of the staff, and I became the runner-up. Their current logo is far less specific and literal, and they've done well with it. Nevertheless, I am very proud of my design, and thought it was about time the general public had a chance to see it. And there you go!  Click on the image for the big picture.


I've been meaning to post this image and story for some time. A few years back, I was contacted by John Pavese, an author and publisher for whom I had illustrated a couple of book covers in the past, to create an image for the cover of a new book he and his wife Sokhary Kong Pavese had produced for a young, native Cambodian audience. The book "Make Your Luck, A Cambodian Teenagers’ Guide to Success" is designed to help young, mostly teenage Cambodians achieve a better life for themselves through learning simple skills that will help them adapt from their predominantly rural upbringings to the changing, more industrialized country Cambodia is becoming. It also projects a philosophy that "success at any cost" will not produce a happy outcome. The book warns the readers to be careful of the corruption that infects much of modern Cambodian society on many levels. The author, Sokhary Kong Pavese grew up in rural Cambodia on a rice farm. She worked for four years in Cambodian factories after high school before attending university. As Chairman of John Givonetti Giving (JGG), a Cambodian based charity, she has personally helped thousands of Cambodian teenagers develop the skills needed to be successful. The text of "Make Your Luck" is written in both English and Khmer.

For more on John Givonetti Giving, a wonderful charitable organization, see here.  JGG founder John Pavese is the nephew of John Givonetti, for whom the JGG is named, and who spent his life quietly performing charitable acts benefiting people around the world. More on Mr. Givonetti can be found here, and a detailed and moving obituary is located here.

John Pavese and I worked closely on the cover illustration, which depicts two young Cambodians and their water buffalo against a rural native background. Despite its outwardly appearing simplicity, I carefully researched each element in order to distill the concept down to an accurate image. The illustration, for the record, is rendered in my Cartoon Style 2, which I have utilized for many educational projects.

The book is available for purchase here.

Friday, December 28, 2018


Today is Stan Lee's birthday. I can't add much to what I said in my previous post, but I wanted to do something to commemorate this day. I don't know if Stan was a drinking man or not, but here's a toast to his memory. The glass in the photo is a souvenir from Newbury Comics from Boston Comic Con 2015. That was when and where I finally was able to meet my life-long hero. Every time I've drunk from that glass, I've thought of Stan. I've surrounded the glass with a selection of Stan's books. Here's to you Stan! A toast with love and grateful appreciation. And one last "EXCELSIOR!"

Monday, December 24, 2018


There is a hole in the universe where a man once stood, or more accurately sat, behind a typewriter, tirelessly creating that very universe that he and countless millions of avid devotees inhabited for many decades. I, myself, inhabited that universe for more than fifty years before finally meeting my hero, Stan Lee, for a few brief but indelibly memorable and indubitably magical moments only three years ago. Our quick exchange (the line for the photo shoot snaked far out of sight) allowed me to thank him for that 50 years that so immeasurably influenced my life and career, and Stan (Mr. Lee, I called him) thanked me! Legends live forever in our hearts and memories, and no one could ever leave a greater and more lasting legacy than The Man without whom, the comics industry itself may have withered and died. Unfortunately, all men must depart our world, even the long-lived and and in-all-ways-but-one immortal Stan Lee. The news hit me like a blow from Thor's hammer when I heard of his passing, and I've been slow to adjust to a world without Stan Lee in it.

As for the above image, it's my guess that when the also recently and sadly departed Steve Ditko fashioned the hand gestures that were used by both Spider-Man to shoot his webs and Doctor Strange to conjure spells, he probably didn't know that it was also sign language for "I love you." In my illustration, some of Stan's most famous characters pay tribute to their creator. I included a certain shield-slinger because, though he was created by two other guys, Stan Lee's first published story at Timely Comics (seen here and here) was in Captain America #3, and also because Stan's 1960's revival of the character really brought him to life, in more ways than one.

One of the challenges in executing an illustration is knowing when to stop. I thought about including an image of Stan in the night sky above his creations, or perhaps his signature in the stars, but ultimately I decided he would be more conspicuous by his absence, which after all, is the sad point of this tribute.

To paraphrase one of Stan's most enduring proclamations, "With great responsibility comes great power!" Throughout his career, Stan gained the power to touch and influence the lives of countless millions of people world-wide. He did so with grace, humor, integrity, and vision. Never has there has been, nor ever again will there be another like him. Thank you Mr. Lee, and of course, "EXCELSIOR!"

Saturday, December 15, 2018


Man, time sure flies, doesn't it?? It's been nearly two years since my last blog post, and a full eight years since I first posted my retro-cartoon style rendition of Bobby Keyes, which was designed to be the cover of his Christmas album, way back in 2010. At the time, Bobby had recorded several tracks, but needed a few more to flesh out the album. A few months back, he contacted me to see if I could send him the cover art again, as he had finally completed 10 tracks and was at long last ready to release the CD. I was delighted to do so, and added some tonalities and textures to the guitar and chair, which I thought added to the piece, and also removed the Santa hat, which Bobby didn't feel was quite his style. That was easy, as I'd had the foresight to render it on a separate layer in Photoshop just in case. Bobby's son Django did the graphic design for the CD, and it's now available for your listening pleasure. And what a pleasure it is! Perfect for playing while wrapping or unwrapping presents, enjoying a fine holiday feast or just unwinding after the big day. Bobby is as brilliant a guitarist as you'll hear anywhere, and his arrangements are beautiful, intriguing, and engaging. If you think you don't need to hear another Christmas album, I invite you to think again.

And Happy Holidays to all!

Saturday, January 14, 2017


From the final issue of Sega Visions Magazine produced by The Communiqué Group, the Winter 1991/92 issue.  This issue featured the winner of the "Draw a Sonic the Hedgehog Comic Strip" contest, a talented youngster named Kuanray Huang (who must be in his 30's by now!).  I worked from a single photo of Kuanray, as I recall, and can only assume the likeness was reasonably accurate.  With this episode, I finally stopped using a Rapidograph pen for the lettering, switching to a broader-nibbed Micron marker, and was much happier with the result, as I also was with the improved color registration.  I think the layout for this spread was one of my very best, and there was plenty of good action.  Too bad it was the last installment before Sega took the whole project west to San Francisco with new corporate oversight, and Niles disappeared into Segaland for good.  FUN FACT: As I have mentioned in my oft-referenced interview with Ken Horowitz, the Sonic game was new at the time, and I was the first artist to draw Sonic in comic book form.  A short time later, Sega produced a small, Manga-style Sonic comic book, and over the years, many others have been published.  This two-pager was the first Sonic The Hedgehog comic appearance, however.  BONUS FUN FACT:  A few years after Niles ended, I had the pleasure of meeting one of my all-time favorite comic book artists Gene Colan and his wife at a Boston convention.  We had a long, very enjoyable chat, and I showed him some of my work, including the Niles/Sonic spread.  His very genuine and generous response was "Oh, you know what you're doing!"  I remember that most fondly, indeed.


In a complete departure from everything I've ever done before on this blog, I am showcasing art that was produced by someone besides me!  Here is the never-before-seen "lost" Niles Nemo adventure which was plotted, scripted and produced in layout form by none other than Boisterous Bill Kunkel!  I don't know why Bill did a layout for this episode, maybe just scratching an itch, but it's the only one he ever did for a Niles adventure.  I always worked from a general script.  I recently found this two-page layout in my files.  It is reproduced here from a photocopy of a FAX, and has some rough spots.  I retouched the lettering where it was broken, but did not change it in any way, not even Bill's backwards (or perhaps lower-case) "N's."  There are a couple of places where the lettering was too broken to decipher, but you can get a good feel for the story.  This last and lost episode, featuring "Basketball Dexter," was mentioned in my interview with Ken Horowitz, but at that time, I didn't even know a copy of it had survived.  Here it is for the first (and probably last) time ever!  Click the image, and enjoy!!

And there you have it!  Everything you always wanted to know about Niles Nemo In Segaland, and a whole lot more!

Thursday, December 29, 2016

NILES NEMO visits the Consumer Electronics Show-Back cover house ad

From the Summer 1991 issue of Sega Visions Magazine.  For whatever reason there was no Niles adventure that issue, so we ran this promo on the back cover.  Not sure if all the anatomy is spot-on in that drawing, but ya gotta love those shoelaces!  They're as loopy as Spider-Man's webbing!  Oh, and there's my buddy Dave LeBlanc again, last seen in the "Columns" episode...

Next: The final episode of "Niles Nemo In Segaland!!"