JACK KIRBY TRIBUTE!

Early this past spring, I was contacted by my long-time client, the awesome Jodie Bernard of Lightbox Visuals, regarding an unusual assignment for an English book titled "Modern Morsels: Selections of Canadian short Fiction and Poetry."  To be featured in the book was a poem about comics legend extraordinaire Jack Kirby, his experiences as a soldier in World War II, and the influences those experiences may have had on Kirby's later characterizations, particularly his villains.  There was no specific concept for the accompanying illustration, so I was asked to come up with one.  I submitted two ideas.  The one which was decisively chosen is the image above.  My idea was to draw Jack in uniform, as he was in WWII, fending off villains with a giant pencil wielded like a rifle.  I also wanted to draw the piece in a close approximation of Jack Kirby's own, unmistakable style.  My other concept was similar, except that it would have shown soldier Jack riding the giant pencil through space like the Silver Surfer.  I liked that idea because it would have given me the chance to draw some "Kirby Krackle," but the chosen concept was a much more literal interpretation of the poem's message.

Little did anyone know that I was a decades-long fan of "King" Kirby's work and was also familiar with his WWII experiences.  That helped make this a very special assignment for me.  I was determined to do a fitting tribute to Jack, so I immersed myself in numerous back issues of The Jack Kirby Collector, some Sgt. Fury comics, and reprints of monster comics from the late 1950's.  When I'd absorbed enough Kirby-isms (such as his treatment of lightning and craggy mountains), I started drawing.  There are no "swipes" in the illustration, just my attempt at capturing the Kirby style, his treatment of anatomy, drapery, dynamic perspective, etc.  For the inking, which was usually handled by other artists during most of Jack's career, I leaned toward Mike Royer's style, which is considered the most faithful to the original pencil art, rather than attempting to ape the style of my favorite J.K. inker, the great Joe Sinnott.  Joe (whom I've had the pleasure of meeting a few times over the decades, including at the 2012 Boston Comic Convention) had a way of smoothing out and adding just a touch more naturalistic sculpting to Kirby's pencil art, but this piece was all about Jack.

The book is finally in print and can be ordered here, with a full description of the contents here.  It's an English Literature textbook, and the Kirby poem is the only comics-related feature in the book.  My special thanks to Jodie for choosing me for this highly enjoyable assignment!  Click on the image for a larger version.

OMAHA OVERRUN BY HUMANOID ANIMALS!!

A few months back, I was contracted to do a wraparound cover for UNO Magazine, the alumni journal for the University of Nebraska at Omaha.  It was a complex project, as the art was not only to be used as the front and back covers, but sections of the illustration were to be utilized as interior spots accompanying a number of articles and features.  Several buildings and landmarks from the UNO campus needed to be depicted on the front cover, and slice-of-life scenes would be interspersed throughout the piece.  All in all, a few dozen specs were assembled into one large cityscape scene.  Of particular importance was the style of rendering.  The Design Director of  The Emspace Group, the remarkable Heidi Mihelich, UNO Mag designer extraordinaire, requested I draw all of the characters in this somewhat fanciful Omaha as humanized animals, reminiscent of Richard Scarry's children's books, particularly the very busy "What Do People Do All Day?".  I employed my usual cartoon line art style with color tones and textures added digitally.  It was great fun creating the animal characters.  I chose to stick mainly with mammals and generally naturalistic, human-like proportions to clearly depict the intricate interactions.

Included above are a small image of the entire cover, including areas that were covered up by the logo and mailing address graphics, larger versions of the front and back covers, and a couple of large details to better show the line quality and textures.  All for your viewing pleasure!  The entire issue, including the cover, of course, can now be seen online as a flipbook or a free downloadable PDF file at the UNO Magazine website.  Many thanks to Heidi for finding me at my PictureBook gallery and for her invaluable help with this massively complex visual project.  In closing, here is the image from a 1995 book cover I drew that inspired the whole thing.  As always, click on each image to see a larger version.

HAPPY HALLOWEEN!!

It was a hectic summer for me, what with moving to new digs and a few family events, but my wife and I are slowly settling into our new environment in the 'burbs. So, now I'm back, and having illustrated Thanksgiving and New Year's in earlier blog entries, I thought it was about time to post a Halloween image. My friend Phil the Zombie offers my personal greetings for this Halloween season in the above illustration, subtly influenced by the old EC Comics of the early 1950's. This piece is also available in various forms for licensing on StockIllos.com, my personal stock art site.

GALLERIES GALORE!

As part of my ongoing quest to create more synergy for my web-presence, I have created three new web galleries which I have now added to the list on the right. All three galleries are somewhat different in form and content. I try to give each one its own feel as well as some visuals and text not found in the others, and I will be adding new images periodically. Click here for my TopIllustrations.com page, here for my Behance.net galleries, and here for my new FolioFox galleries. My Behance page is now linked directly to my LinkedIn page, with thumbnail images appearing there for easy connecting to the galleries. You have to be signed up with LinkedIn and go to my Full Profile page for that, though. The image above is a montage of some of the illustrations you will find in these online portfolios. As always, you can click on the image for a larger view.

HAPPY 2011!

Nothing says "New Year" like a recycled piece of art!! The above image of the New Year's Baby casting aside icons of last year's holidays has been available (in slightly different form) on my stock illustration site StockIllos.com for a couple of years and also appears in several other online galleries. Nevertheless, the message it delivers is this: The holidays are over. Let's get back to work! So, Happy New Year to all. Let's hope it's a good one, full of cheer, creativity and prosperity for all those reading this blog and the many others who have yet to discover it.

As always, click on the image for a larger version.

RETRO-COOL - New Art!

Happy holidays to all! The above image is a CD cover I did for my old friend Bobby Keyes. It's in a new retro style I'm developing, influenced by some of the classic album cover artists of the 1950's and '60's, but with a slicker, more modern twist to the line and color. Bobby's going back into the studio to record more tracks for this album, so it won't likely be available until later in 2011, but more info regarding his two other excellent CD's is available at his website at www.bobbykeyes.net. Click on the CD image for a larger version. It's worth it!

HAPPY THANKSGIVING!!

In an elaborate visual metaphor for the life of the digital-age, freelance artist, Turkey-D wails on his favorite axe in an attempt to scare away that guy with the other axe!! (click the pic for a larger image)